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Georg Flegel Vorbereitung zur Mahlzeit Medium Oil on canvas
Dimensions 44 x 66 cm (17.3 x 26 in)
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Georg Flegel Grosses Blumenstuck Oil on canvas
Dimensions 61 x 44 cm (24 x 17.3 in)
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Georg Flegel Still life with herring und Bartmann jug Medium Oil on oak panel
Dimensions 25.5 x 32.5 cm (10 x 12.8 in)
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Georg Flegel Blumen, Romer und Stieglitz auf Weissbrotwecken in einer Nische Medium Oil on canvas
Dimensions 61 x 44 cm (24 x 17.3 in)
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Georg Flegel Stilleben mit Kase und Kirschen 1635(1635)
Medium Oil on oak panel
Dimensions 18,4x25cm
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Georg Flegel Still Life with Stag Beetle Date 1635(1635)
Medium Oil on wood
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Georg Flegel Vorbereitung zur Mahlzeit Oil on canvas
Dimensions 44 x 66 cm (17.3 x 26 in)
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Georg Flegel Still life with herring und Bartmann jug Oil on oak panel
Dimensions 25.5 x 32.5 cm (10 x 12.8 in)
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Georg Flegel Blumen Oil on canvas
Dimensions 61 x 44 cm (24 x 17.3 in)
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Georg Flegel Still-Life with Fish Date 1637(1637)
Medium Oil on wood
Dimensions Height: 19 cm (7.5 in). Width: 15 cm (5.9 in).
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Georg Flegel Still Life with Stag Beetle 1635(1635)
Medium Oil on wood
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Georg Flegel Still-Life with Fish 1637(1637)
Medium oil on panel
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Georg Flegel Still Life with Stag Beetle 1635(1635)
Medium oil on panel
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Georg Flegel Still-Life with Bread and Confectionary first half of 17th century
Medium oil on panel
Dimensions Height: 21.7 cm (8.5 in). Width: 17 cm (6.7 in).
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Georg Flegel Stilleben mit Kerze 1631
Medium oil on linden
Dimensions 34.9 X 22.8 cm (13.7 X 9 in)
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Georg Flegel Vorratskammer bei Kerzenlicht circa 1630-1635
Medium oil on canvas
Dimensions 72.5 x 60 cm (28.5 x 23.6 in)
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Georg Flegel Pipes and tobacco on a pewter plate 17th century
Medium oil on panel
Dimensions 52.1 X 64.1 cm
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Georg Flegel Zitronen in einer Schale first half of 17th century?
Medium oil on panel
Dimensions 49.2 X 63.5 cm
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Georg Flegel Peaches circa 1630(1630)
Medium oil on panel
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Georg Flegel
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1566-1638
Georg Flegel Location
German painter. He was the son of a shoemaker, and not being a Roman Catholic, probably moved to Vienna after 1580, when the Counter-Reformation began to take effect in Olmetz. In Vienna he became the assistant of Lucas van Valckenborch I, whom he subsequently followed to Frankfurt, then an important centre for art dealing and publishing. He filled in staffage in van Valckenborch pictures of the seasons and portraits, inserting fruit, table utensils and flowers as still-life set pieces. His faithful reproduction of flowers and fruit drew on watercolours by Derer, still-life painters from the Netherlands living in Frankfurt, and botanical and zoological illustrations by Joris Hoefnagel, Pieter van der Borcht IV and Carolus Clusius (1525-1609) then being published in Frankfurt.
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